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冯至作为贯穿中国现代文学三十年的一位重要诗人,与里尔克的精神相遇,是其创作的重要事件。从20世纪20年代到40年代诗人的诗风从情感之维转向经验之维,不仅显示了诗人创作精神的转变,而且也预示了中国现代新诗的发展方向。
As one of the important poets in the thirty years of Chinese modern literature, Feng Zhi met with Rilke’s spirit and is an important event in his creation. From poetic style of emotion to experiential dimension, the poetic style of poets from the 1920s to the 1940s not only shows the change of the poet’s creative spirit, but also indicates the direction of the development of modern Chinese poetry.