《海上钢琴师》——爵士钢琴即兴艺术的完美再现 (三)

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在《海上钢琴师》这部影片中,我不能不提到1900的扮演者蒂姆·罗斯(TimRoth),他的表演对于整个影片的成功、对于影片中音乐与画面之间的完美结合是功不可没的。人们在看电影或电视的时候都会有这样的印象:当演奏者仅仅将手中的乐器作为一件道具来比划,而不是真正的演奏,或镜头只是对着脸部和身体,没有手部的细微动作时,常常就会给人以做作和不真实的印象,那样是很难在荧幕上创造具有说服力的音乐人的,留给观众的只有虚假和难以忍受。而蒂姆·罗斯的表演不仅真实可信的,而且表现出地地道道的、技术精湛的演 In “Pianist at Sea”, I can not fail to mention the 1900 actress Tim Roth, whose performance was a success for the entire film and for the perfect combination of music and picture in the film. Not bad. When people watch movies or television, they all get the impression that when the performer merely makes the instrument in his hand as a prop, not as a real performance, or as the camera is only facing the face and body without the nuances of the hand When acting, it often gives the impression of making and untruth, as it is difficult to create convincing musicians on the screen, leaving only the false and unbearable to the audience. And Tim Rose’s performance is not only true and credible, but it also shows off-going, skillful performance
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