好的绘画作品都给大家留下了深刻印象,其之所以好看有三点是大家有目共睹的:就是有良好的空间造型,强烈的节奏感和韵律感。当然产生这三点的一个最直接形式就是中国画中“虚实关系”的处理。其中实是基础,虚是重点,实赋予虚以生命力,虚则给实以艺术灵光。同时也说明这种“虚实关系”即使中国传统文化意识的折射,也是绘画美学的一个核心。 Good paintings have left a deep impression on everyone, the reason why there are three good looking for everyone to see: there is a good space modeling, a strong sense of rhythm and rhythm. Of course, one of the most direct forms of generating these three points is the treatment of the “actual and true relations” in Chinese painting. In fact, it is the foundation, the emphases are the emphases, the vitality is given to the emptiness, the emptiness is to give the arts an aura. At the same time, it also shows that this kind of “real-and-false relationship” is a core of painting aesthetics even if refraction of Chinese traditional cultural consciousness.