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在中国电影史上,都市影像有着不同的表现内容,在塑造方法上也有着相应的差异。其中现代时间观念是一个关键因素。在都市影像中,都市空间被纳入到了一个线性的时间轨道中,实现了时间化的叙述;同时,时间造就了都市影像中人群密集的风景以及“夜上海”等新景观;此外时间也成为左翼电影人对都市影像进行社会批判的工具。
In the history of Chinese cinema, urban images have different performance contents, and there are corresponding differences in shaping methods. The concept of modern time is a key factor. In the urban image, the urban space is incorporated into a linear time orbit to realize the time-based narration; at the same time, the time makes the crowded scenery in the urban image and the new landscape such as “Night Shanghai”; in addition, the time Become a left-wing filmmakers urban social criticism tools.