中国书画向来以禅境为神品,无论是传统文人画还是当代文人画,相关作品都致力于表现作者的喜怒哀乐、人生情怀以及自己对生活的思考,是作者主观意愿通过笔墨纸砚的客观表达,所谓“察其书、知其性、观其画、知其人”。这就需要审美主体具有相应的人文素养和一定的中国文化知识的积淀,如此,方能体味作者创作时的心境,也才能享受书j砸i带给人的审美快感,使人与之同喜、同悲、同悟。但对于绝 Chinese painting and calligraphy has always been to the Zen landscape as god goods, whether it is the traditional literati painting or contemporary literati painting, the work is dedicated to show the author’s emotions, feelings of life and their own thinking of life is the author’s subjective desire to pass the ink and paper inkstone Objective expression, the so-called “look at its book, know its nature, view the painting, know their people.” This requires the aesthetic subject has a corresponding humanities and cultural heritage of some of the Chinese culture, so that we can appreciate the mood of the author’s creation, but also to enjoy the book j drop i bring the aesthetic pleasure, make people with the same hi , With compassion, understanding. But for the absolute