本文借鉴后殖民批评的相关理论,以20世纪中国建筑界对“现代建筑”和“后现代主义”概念的引入为例,探讨了在跨文化研究中翻译的非透明性,指出学术翻译本身就是一种跨语际的实践活动,希望能够对跨文化视野下的西方建筑历史理论研究提出一种新的研究角度和认识视野。 This paper draws lessons from the related theory of post-colonial criticism. Taking the introduction of the concepts of “modern architecture” and “postmodernism” by the Chinese architectural community in the 20th century as an example, this paper discusses the non-transparency of translation in cross-cultural studies and points out Academic translation itself is a cross-linguistic practical activity, hoping to put forward a new perspective and understanding of the history of Western architectural theory from the cross-cultural perspective.