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在改革开放的中国社会走过三十年之后,当民族文化复兴不再是一种理论呼吁和口号,而日渐成为今天中国人的文化理想之时,如何从民族文化立场出发来认识和追求传统艺术有文脉的创新,也必然成为一个蕴含着理想的现实目标。本期我们通过李一对启功这位“时代人物”的介绍,看到了一个在无数逆境中始终以国学筑基、以道德立身、以实践问学、以文脉为己任的书法家启功,也明白了他为今天的从艺者所树立的榜样的意义。同时,我们在[案边点滴]栏目中,则通过对几位现代绣女的访谈,来探讨传统女红这种中国美术形态在今天的意义,其中不乏与整体民族理想相吻合者。
After the reform and opening up of the Chinese society over thirty years ago, when the national cultural renaissance is no longer a theoretical appeal and a slogan but has gradually become the cultural ideal of the Chinese today, how to recognize and pursue traditions from the standpoint of national culture? Art-based innovations are bound to become an actual goal that contains the ideal. In this edition, we introduce the introduction of “The People of the Times” by Qi Li and Qi Li, and see a calligrapher who has always been based on the theory of Chinese learning, standing on morality, practicing his studies and taking the cultural context as his own responsibility in numerous adversities Qigong also understands the significance of his role model for today’s entertainers. In the meantime, we will discuss the significance of the traditional art forms of Chinese women in today’s art form through interviews with several modern embroidered women, some of which are consistent with the overall national ideal.