中国绘画向以达通天人之境为至高旨妙,以人本、自然、性灵三者相融为精神范式。在写胸中逸气理念引导下,天人合一的自我情境脱开造化的形体局限,随着笔墨自娱而自足。书法与绘画紧密相连,个人情思理念全转注在笔情墨韵中。 Chinese painting to Tathagata heaven and earth as the highest purpose of the wonderful, with people, nature, nature and spirit of the three as a spiritual paradigm. Under the guidance of the concept of emptiness in the writing chest, the self situation of the unity of nature and man is separated from the physical limitations of good fortune, and self-sufficient as the pen and ink enjoy themselves. Calligraphy and painting are closely linked, the concept of personal feelings turn all note in the ink of the pen.