景象明晰和景象朦胧的诗篇都会给人以美的感受。前者构成幽远清淡的意境,后者形成恍惚朦胧的画面。韩愈的《早春》就属于后者。它描绘出早春的特有景色,恰到好处地将早春的朦陇美景呈现在读者面前,让人如醉如痴地领略到早春的新鲜气息。诗篇的朦胧美是紧扣“早春”二字来着笔的。首先表现在草色上。“遥看草色近却无”,远远望去,看不逼真,望不真切,只觉朦朦胧胧,形成一片,让人感 Clear and blurred images of the poem will give people a beautiful feeling. The former constitutes a faint light mood, the latter form a trance hazy picture. Han Yu’s “early spring” belongs to the latter. It depicts the unique scenery of early spring, just right in the early spring of dim scenery presented in front of readers, fascinating to enjoy the fresh breath of early spring. Psalm hazy beauty is closely linked to “early spring” word to pen. First performance in the grass color. “Never look at the grass color,” from afar, not realistic, not real, only hazy, forming one, people feel