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作者从“无中生有”“非幻非真”和“非虚非实”这样一个古老而又常新的视角,提出并阐述中国画所独具的有关玄境、幻境和空境问题,希望为中国画理论与实践挖掘出一些新的营养,让古老的中国画焕发出新的生机,以期为当下的国画创作提供一些有益的启示。
From an ancient and often new perspective such as “non-existence”, “non-illusion and non-illusion” and “non-illusion and non-reality”, the author proposes and elaborates on the unique mysterious, fantasy and emptiness It is hoped that some new nutrition will be excavated for the theory and practice of Chinese painting and the old Chinese painting will be radiated with new vitality so as to provide some useful inspiration for the contemporary Chinese painting.