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杰克逊之死引起的关注正好从一个侧面表明,中国在世界地位的改变正在生产出强有力的文化表征。由于流行音乐自身呈现为一个价值中立的名利场,对于巨星热切的怀念无疑将有效地消除过去30年来中国追赶世界潮流的足迹,同时使前者得以以一种崇拜和接续的姿态寻求更进一步的自我表达。如果其中的自我表达成分足够真诚,那么这将不仅是对一位昔日巨星的怀念,同时也是这个时代对逝去的80年代充满复杂情感的回望。
The concern caused by the death of Jackson shows precisely from one side that China’s changing status in the world is producing a strong cultural manifestation. Since pop music itself has emerged as a value-neutral Vanity Fair, eager memories of the superstar will undoubtedly effectively eliminate China’s footprint in catching up with the world trend in the past 30 years, while at the same time enabling the former to seek further self-expression in a cult and continuity manner . If the self-expression among them is sincere enough, it will not only be a reminder of a former superstar, but also a retrospective of the complex 1980s sentiment of this era.