我不知现代文学与当代文学的分界是以什么为准?这是史家的课题了。但窃以为,从文学评论,具有决定作品生死、决定作者存亡的权杖作用起,只要这个最鲜明的批判特色存在,便是当代文学。不过,我也替他们担心,虽然,三十年河东,三十年河西,评论家最光辉,最得意,叱咤则风云变色,跺脚则地动山摇的权杖时代,一去而不复返。但评论家与物质利益挂钩,与商品经济挂钩,与五张老人头或者十张老人头的红包挂钩,与赤裸裸地讨价还价,要么上床,要么付费的交易行为挂钩的时代,正堂而皇之,毫无顾忌地到来。这两位老同志能适应么?——作者 I do not know what is the boundary between modern literature and contemporary literature? This is the subject of history. However, the theft is that starting from literary criticism and having the scepter that determines the existence and death of the work and determines the survival of the author, so long as this most distinctive critical feature exists, it is contemporary literature. However, I am also worried about them, though, for thirty years Hedong and Thirty Years of Hexi, the most glorious and the most proud of critics are the era of change of color and stagnation, . However, when critics are linked to material interests, linked to the commodity economy, linked with five elderly or ten elderly red envelopes, bargaining nakedly, or going to bed or paying transactional transactions, they are upright and unscrupulous . Can these two old comrades adapt? - Author