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1 从“二”说到“三”。 我在《摄影:二我也》一文中,曾借杭州一个照像馆的馆名,说到每幅成功的摄影作品里,都有一个被摄者的“我”和一个摄影者的“我”。 它初步涉及到了摄影主体、摄影个性、摄影创造的问题。 它连带涉及到了摄影纪实性同选择性、诱导性、象征性、抽象性、操作性的辨证关系。 它意在引导摄影家强化个性的创造和感情的投入,
1 from “two” to “three.” In my article “Photo: Two I also”, I borrowed the name of a photo studio in Hangzhou and said that for each successful photo shoot, there is a photographer’s “I” and a photographer’s “I ”. It initially involves the subject of photography, photography personality, photography creation problems. It involves the dialectical relationship between the authenticity of photography and the selectivity, induction, symbolism, abstractness and operability. It aims to guide photographers to strengthen the creation of personal and emotional input,