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作为“形而上画派”创始者的契里柯,别具手眼之处在城市风景画中得以完全表现,而其“形而上艺术”理念也在其间充分实现。诚如论者所言:“契里柯在本质上是城市风景画家,在这一领域,他发挥了最大的创造性。”(1)契里柯的都市风景画,像一面面奇异之镜,映现城市幽灵的镜像,而那幽灵就出诸于我们的身体—心理,是我们的现代性体验,是我们在城市中的存在的另面。他扯断日常生活的逻辑与记忆之线,致力于捕捉事物的反常一面,
As the founder of “metaphysical painting ”, Chirico, full of uniqueness in urban landscape painting can be fully demonstrated, and its “metaphysical art ” concept is also fully realized. As the author put it: “Chirico is essentially a cityscape painter, and he has played the greatest role in this field.” (1) Chirico’s urban landscape is like a singular one Mirror, reflecting the mirror image of the city ghost, and that ghost out of our body - psychological, is our experience of modernity, our existence in the city of the other side. He breaks the line of logic and memory in his daily life and devotes himself to capturing the anomalous side of things.