中国戏剧行业神田公元帅信仰,在南方许多地方戏剧种中存在。闽西上杭田公信俗文化形态特殊,与傀儡戏关系密切。本文就上杭田公信仰缘始由来、特征及其在傀儡戏行业社会中的作用及影响来探讨其“非遗”保护的价值和意义。一、上杭田公信仰缘始由来田公元帅信仰在福建及周边省区普遍存在,有地方社神和戏曲行业神之分,其产生的年代约在宋元之间,明清时期盛行。上杭县田公元帅信仰,虽史志缺载,多来自民间传说。但其源流较为清晰,普遍认为是傀 The Kanda masters of Chinese theater industry believe in the presence of many local operas in the south. The public culture in Shanghang, Minxu has a special folk culture and is closely related to puppet theater. This article probes into the origins and characteristics of Shanghangtian public trust and its role and influence in the puppet theater industry society to explore the value and significance of its protection. First, the origins of Shanghangtian public credit Tianmang Marshal belief widespread in Fujian and its neighboring provinces, there is the local community god and the division of God in the drama industry, the generation of the era about the Song and Yuan Dynasties, popular during the Ming and Qing Dynasties. Shanghang County Field Marshal Belief, although the history of the lack of load, mostly from folklore. However, its source is clear, generally considered a puppet