论文部分内容阅读
本文通过纵向地研究洛特曼前后期的符号学理论,首先,提出空间问题是贯穿洛特曼整个符号学理论的一根红线,并做了具体论证;接着,指出洛特曼对文化空间的研究始终没有离开时间的维度,他对空间问题的研究是他对文化时间和空间综合思索、考察的结果。在阐释过程中,本文将洛特曼与巴赫金进行了横向比较以突现洛特曼文化时空观的独特性。探讨洛特曼的文化时空观不仅能使我们更好地把握文化符号学的精神实质,而且对于我们思索文化的走向、探索文化建设的途径、寻求不同文化间有效交流与对话的方法无疑都具有重大的现实意义。
In this paper, by studying Lotterman semiotics theory in the longitudinal direction, we first propose that the space problem is a red line that runs through Lotman’s semiotics theory and makes a concrete demonstration. Then, we point out that Lotman’s theory of cultural space The study has never left the dimension of time, and his study of the problem of space is the result of his comprehensive consideration and investigation of the time and space of culture. In the process of interpretation, this paper makes a horizontal comparison between Lotman and Bakhtin to show the uniqueness of Lotman’s concept of space and time. Studying Lotman ’s view of cultural time and space not only enables us to grasp the spiritual essence of cultural semiotics better, but also has a great significance for us to think about the trend of culture, to explore ways of cultural construction and to seek effective ways of communication and dialogue among different cultures Significant practical significance.