“七”体文创作始于西汉,在东汉时期得到了进一步的发展,到魏晋六朝进入了繁荣时期。从枚乘的奠基之作——《七发》开始,傅毅《七激》、崔骃《七依》、张衡《七辩》、曹植《七启》等作品相继出现,逐渐形成了以《七发》为首的一种独立的文体。“七”体的出现,既体现了以“七×”命名、以七件事情为内容、虚构主客二人、以启发为手段、以规谏为宗旨的独特性,但也存在着模拟痕迹较浓、词语晦涩等局限性。 “Seven ” body composition began in the Western Han Dynasty, in the Eastern Han Dynasty has been further developed until the Wei and Jin Dynasties into a flourishing period. From “Seven Faiths”, Fu Yi’s “Seven Senses”, Cui Yi’s “Seven Arches”, Zhang Heng’s “Seven Arguments”, and Cao Zhi’s “Seven Arches” have emerged one after another, Seven fat “led by an independent style. The emergence of the ”seven“ body not only embodies the uniqueness of ”seven × " naming, seven things as the content, fictional subject and object, inspiration as a means, and remonstrance as its purpose, but also exists Analog traces thick, obscure words and other limitations.