1987年4月北京举办第一届中国花卉博览会,本人创作的水旱盆景《鹅池留踪》入选参展。此盆景的主要造景材料为福建黄杨和风化石,盆长80厘米,总高约65厘米。水旱盆景的布局形式,大致有水滨式、溪谷式、半岛式、江湖式等等。《鹅池留踪》试图在布局上作些突破。首先,此盆景的格局是旱地面积大而水体面积小。在这种情况下,树木栽植比较方便,地貌处理也容易得心应手,但水面处理有些难度,如将临水坡岸作成舒缓的斜坡形,狭小的水面必然局促,更谈不上与岸上的景色相映成趣了。因此,我将水面设计为一泓清池,这样便从理念上解决了问题——观者不会计较池水面积的大小。水岸边的石头局部处理成平面直坡形,别有一番韵味,但水岸线之曲折迂回却未曾忽视。盆景中的树木选用了一大一小两株福建黄杨,主树粗壮苍古,枝繁叶茂,树皮深刻皴裂,俨然历经沧桑。副树辅左其侧,无论是构图还是意境,其作用都不容忽略。福建黄杨叶极细小,在“以小喻大”的盆景艺术中,树叶与树干、枝柯的比例更接近于真实,故树木虽小,给人的印象却像是 April 1987 Beijing held the first Chinese Flower Expo, I created drought and bonsai “goose pool stay trace” selected exhibitors. The main landscaping materials for this bonsai Fujian boxwood and fossil, pot 80 cm, total height of about 65 cm. Water and drought bonsai layout form, roughly waterfront, valleys, peninsula, rivers and lakes and so on. “Goose pool stay trace” trying to make some breakthroughs in the layout. First of all, the pattern of this bonsai is a dry land area and a small water area. In this case, trees are more convenient for planting and the topography is easy to handle. However, surface treatment is somewhat difficult. For example, making the slope of the waterfront a soothing slope shape will inevitably lead to a cramped surface, not to mention the shore scenery Interesting. Therefore, I designed the surface of the water to be a clear pool, which solved the problem ideally - the viewer does not care about the size of the pool. The stones on the waterfront are partially processed into a flat, straight-sided shape with a touch of charm, but the twists and turns of the waterfront have not been overlooked. The trees in the bonsai use a large and a small two Fujian boxwoods, the main tree thick Canggu, lush, bark deep chapped, as if after the vicissitudes of life. Deputy tree left side of its auxiliary, whether it is composition or mood, its role can not be ignored. In Fujian Province, the bonsai leaves and the trunk and branches are closer to reality than the bonsai art of “Small Yu”, so the trees are small, giving the impression of being like