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汉乐府诗是我国古代音乐文学的翘楚之作,具有诗歌文本和演唱文本的双重属性,处于歌唱、舞蹈状态的诗歌表演才是汉乐府诗的最终完成态。在现今的文学史和相关研究成果中,主要着眼于它的思想价值和文学艺术的表现,而漠视了它的乐舞文化的主体性。本文从音乐文学的视野,深入探讨了汉乐府文本载体的多元性、叙事描写的再现性、浪漫传奇的多变性、传播方式的演唱性和语言通俗的普适性等本体特征,这对于正确认识我国古代诗歌的本真面貌和丰富诗学理论的内涵都有着重要意义。
Han Yuefu poetry is a masterpiece of ancient Chinese music literature. It has the dual attributes of poetry texts and concert texts. The poem performance in the state of singing and dancing is the final state of Han Yuefu poetry. In today's literary history and related research results, it mainly focuses on its ideological value and the performance of literature and art while ignoring the subjectivity of its music and dance culture. From the perspective of music literature, this essay explores the ontology features such as the diversity of the Han and Yuefu text carrier, the reproducibility of the narrative description, the variability of the romantic legend, the singing of the transmission mode and the universal popularity of the language. The true appearance of ancient Chinese poetry and the rich connotation of poetic theory are of great significance.