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沙耆先生的一生,由于其独特的经历与机遇,并随之而生的各种内部和外部因素,成就了他在艺术道路、艺术面貌上的非常规性和不可比性,特别是他晚年作品的形成,除了历史积累的因素以外,更是与他非同寻常的生活与创作环境密切相关的.70年代以来,随着社会改革开放形势的逐步深入,身处浙江鄞县偏僻乡村的沙耆先生的生活也渐趋安定,其时因缘起于教授一农村青年余毅习画,便由原来孤寡一人蛰居的沙村故宅,移居于附近的韩岭村与余的全家合住,余毅不久因从沙耆处学得的绘画技艺而为宁波一工艺美术厂招聘担任设计工作,余毅父亲系村党支部书记,对美术也十分爱好,于是余氏父子便都成了沙耆的学生,余家老幼都把沙耆当作“自家老人”(宁波话对家中长辈的尊称),为沙耆单独设了一间朝南的卧房兼画室,
Mr. Shaqi’s life, due to his unique experiences and opportunities, and its various internal and external factors, has resulted in his unconventional and incomparable appearance in art and art, especially in his later years Since the 1970s, with the gradual deepening of the situation of social reform and opening up, the work of Sha Ji in the remote villages of Yin County, Zhejiang Province has become more and more important. Mr. ’S life is also getting more and more stable. In the meantime, due to teaching Professor Yu Yi, a young rural youth, he lived in a village of Sha Village, where he was living alone. He lived in the nearby Hanling Village and shared his family. Soon as a result of learning from Shaji Department of painting skills for a Ningbo Arts and Crafts Factory recruitment design work, Yu Yi father of the village party branch secretary, is also very fond of art, so his father and son have become Shaqi students , More than the elderly and children are used as the “own home elderly” (Ningbo dialect of the elders at home), set up a separate for Saudi Arabia bedroom and studio,