“风景画”作为当代中国油画的一部分,它的进程,它所取得的成绩和存在的问题,应该说大体上和人物画相同,都存在着双重的“任务”:继续学习和研究西方古典和现代油画的优长,以完善只有一百多年历史的中国油画艺术:继续从本民族传统文化艺术中吸收养料,赋予这外来画种以更鲜明的民族特色。这是从宏观上说的,其实,具体到每一位艺术家,也不外乎会作如此思考和实践。从表面上看,这两项任务似乎互相 As a part of contemporary Chinese oil painting, “landscape painting”, its process, its achievements and existing problems should be roughly the same as portraits, and there are dual “tasks”: to continue learning and To study the advantages of Western classical and modern oil painting in order to perfect the art of Chinese oil painting, which is only one hundred years old, continue to absorb nourishment from the traditional culture and art of this nation and give it a distinctive national character. This is macroscopically speaking. Actually, to every artist, there is nothing less than thinking and practicing this way. On the surface, these two tasks seem to each other