《一代宗师》之前,王家卫完完全全是都市的,他对现代华语电影最重要的贡献在于创作了一批极其重要的都市电影。旨在以揭示城市人精神上的病态,他坚持以城市在其物质化进程中对于城市人精神的异化作为创作中矢志不移的基本主题,人们逐渐丧失最基本的沟通与交流的能力。对此他为自己的电影选择了一个巧妙的切入点——探讨都市生活中人与人之间的关系,并在影片中不厌其烦地描述现代都市中人际交往的复杂与困境,人与人之间交流混沌而艰难。 Before the “great master,” Wong Kar-Wai was completely urban, and his most important contribution to modern Chinese-language films was the creation of a number of extremely important metropolitan films. In order to reveal the mental illness of urban people, he insists on the alienation of urban spirit in the process of materialization of the city as the basic theme of his creative endeavor. People gradually lose the ability to communicate and communicate at the most basic level. In this regard, he chose a clever entry point for his film - to explore the relationship between people in urban life, and in the film tirelessly describe the complexity and predicament of interpersonal relationships in modern cities, between people Exchange chaos and difficult.