反思中国当代主导性美学观念会发现,它的最为严重的问题在于缺乏生态意识和生态智慧。从美学思想主题的角度来说,许多美学学说、特别是中国当代影响最大的实践美学,基本上充当了现代文化注脚的角色,一贯地不加反思地论证着实践的合理性,极少关注实践、特别是其作为其理论“逻辑起点”的物质生产实践的累累恶果:环境污染、物种消亡等等。简言之,任何美学理论都有责任回应日益加剧的全球性生态危机——我们坚信,当代美学理论的存在价值,很大程度上取决于它能否有效地回应生态危机,能否从美学角度为人类共同的未来做出积极的理论探索。 Reflecting on the dominant contemporary aesthetics concept in China will find that its most serious problem lies in the lack of ecological awareness and ecological wisdom. From the perspective of the theme of aesthetics, many aesthetic theories, especially the most influential practical aesthetics in contemporary China, have basically acted as footnotes to modern culture. They consistently demonstrate the rationality of practice irrespectively of reflection and pay little attention to practice , In particular its numerous consequences of material production practices as its theoretical “logical starting point”: environmental pollution, the demise of species and more. In short, any aesthetic theory has a responsibility to respond to the escalating global ecological crisis. We firmly believe that the existence value of contemporary aesthetics depends largely on whether it can effectively respond to the ecological crisis and whether it can be done from an aesthetic point of view For the common future of mankind to make a positive theoretical exploration.