“卷絮风头寒欲尽,坠粉飘香,日日红成阵。新酒又添残酒困,今春不减前春恨。蝶去莺飞无人问……斜阳只与黄昏近。”此词句出自北宋末、南宋初著名词人赵令的《蝶恋花》,而词中意韵竟然与八百年后晚清彩瓷悄然呼应,真令人扼腕。粉彩自康熙晚期脱颖而出后经久不衰,至今仍受到社会各阶层的喜爱,主题纹饰除龙凤、人物、山水、瓜果、八宝外,花蝶纹已成经典纹样,尤其是宫廷用瓷。 “Volume Xuanyuodaohang, pendant powder fragrance, every day of red into a row .New wine adds wine residual sleep, this spring does not reduce before the spring hate. ”This phrase comes from the end of the Northern Song Dynasty, the early Southern Song Dynasty famous Zhao Ling’s“ Butterfly Love ”, and the meaning of the word even with the Qing Dynasty 800 years later quietly echoed, it is distraught. Pastel color from the end of the late Kangxi enduring, is still subject to the love of all walks of life, the theme decorated in addition to the dragon and phoenix, people, landscapes, fruits, Babao, flower butterfly pattern has become a classic pattern, especially the palace with porcelain.