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笔者在《论证中国古代的纯律理论》①(以下简称《论文》)和《琴曲<广陵散>谱律学考释》②(以下简称《广文》)二文中曾引用《新刊太音大全集·调弦》的“宜徽”一说来说明古代琴家为解决古琴调弦法中“纯律不纯”所取的方法。对此,王迪同志在《有关古琴制的断代问题》一文③(以下简称“王文”)中说:“1962年出版的《琴
The author quoted in the Second Papers of the New Taiwanese Book of Pure Theories (hereinafter referred to as the Papers) and the Qin Song · “Tuning” of “Yi Hui” one to explain the ancient piano player to solve the tuning method of guqin “pure impure” approach taken. In response, Comrade Wang Di said in his article “On the Chronicles of Guqin” (hereinafter referred to as “Wang Wen”): “The” Qin