业余建筑工作室的王澍,运用传统建筑材料和形式策略,强调行人尺度的都市主义,通过回收材料和重新诠释地方形式来响应历史文脉,倡导了一种乐观的可持续性。业余建筑的作品承载了历史,再生中国的建筑遗产;同时又指向未来,在当代中国创造了一种扎根于地域文化的建筑学和都市主义的新模式。 Wang Shu, amateur architectural studio, advocates an optimistic sustainability by using traditional building materials and formal strategies, emphasizing pedestrian-scale urbanism, responding to historical context by recycling materials and reinterpreting local forms. The works of amateur architecture bear the history and regenerate China’s architectural heritage. At the same time, they also point to the future and create a new mode of contemporary architecture and urbanism rooted in regional culture.