论文部分内容阅读
三如花面唐代女子化妆,特别喜爱花钿。花钿,是用金银箔、云母、珍珠、黑光纸、翠羽等物制成的饰物,贴在面额、脸颊等位置。一场轻快的舞蹈之后,地上往往会散落五彩而残香犹在的美丽花钿。《长恨歌》中,杨玉环那“花钿委地无人收”的香消玉殒,以花钿委地隐喻美人抱恨。可见那饰以花色的娇嫩面容,在唐代人的女性想象中,对美感的唤起,具有如何重要的意义。图4是敦煌与吐鲁番绘画中唐代女子面容上装饰的各种花钿图案,色彩绚烂,
Three as the face of the Tang Dynasty women’s make-up, especially florist flowers. Scape, is the use of gold and silver foil, mica, pearl, black paper, Cui Yu and other objects made of accessories, posted in the denomination, cheeks and other locations. After a brisk dance, the ground is often scattered colorful and residual fragrance is still beautiful flowers. “Everlasting Regret,” Yang Yuhuan it “flowers 钿 commission no one received ” of the incense disappear Jade 以, to Hua 钿 commission metaphor beauty hate. Can be seen that decorated with delicate color of the face, in the female imagination in the Tang Dynasty, the aesthetics of arousing, with what significance. Figure 4 is Dunhuang and Turpan painting in the Tang Dynasty woman’s face decorated with a variety of flowers pattern, colorful,