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伴随着2012的末日预言,大家纷纷调动一切想象力,猜测生活中的偶遇与末日之间有着怎样的关联,而如果人类的末日可以设想,那艺术的末日又何时到来呢?当代美国最富盛名的艺术评论家之一卡斯比特在其2004年的著作《艺术的终结》中,分析了现代艺术的特质,它与审美相分离的原因,现代艺术的大师杜尚等的创作所带来的艺术转向,以及现代艺术彻底消融到商业娱乐和招贴生产体系中去的现状。书中认为,要反制“后艺术”的空洞与沉滞,有赖于艺术家回省前贤大师,以启迪美学与人性的未来。20世纪艺术因为越来越古怪的形式和理念使此前几千年的美学和艺术传统被颠覆。以至于如今在艺术领域内外普遍产生了一种困惑:“什么才是艺术?”或者是相反的一个问题:“有什么东西还能不是艺术?”
With the doomsday prophecy of 2012, everyone mobilized all their imaginations and wondered what kind of connection between the occasional encounters in the life and the doomsday. If the end of mankind can be envisioned, when will the end of art come? In his 2004 book The End of Art, Casbate, one of the most famous art critics, analyzed the characteristics of modern art, the reason for its separation from the aesthetic and the creation of Dusun, the master of modern art And the current state of the complete dissolution of modern art into commercial entertainment and poster production systems. The book argues that it is up to the artist to go back to the great masters of the past to inspire the future of aesthetics and humanity in order to counter the emptiness and sluggishness of “post-art.” Twentieth century art because of the increasingly weird forms and concepts so that thousands of years ago, the aesthetic and artistic tradition was subverted. So today there is widespread confusion in the art world: “What is art?” Or the opposite question: “Is there anything that is not art?”