伊里亚·爱伦堡在《保尔·艾吕雅》(《外国文艺》84年第5期)一文中评价了这位法国的革命诗人: 保尔·艾吕雅的处女作是在世界大战年代问世的。有一类批评家把易懂与不懂作为衡量艺术优劣的标准,他们称他是“只为几百个风雅人士写作的诗人”。可第二次世界大战爆发后,数以百万计的法国人却都传抄他们所不熟悉的这位诗人的诗歌。 Iria Aaronborg evaluated the French revolutionary poet in “Paul Ierua” (“Foreign Literature and Art,” Issue 5, 1984): Paul Elias’ debut was made during World War I Come out One type of critic who uses easy to understand and not understand as a yardstick for measuring the merits of art is what they call him “a poet writing for only a few hundred elegant people.” After the outbreak of World War II, millions of French people copied poems of the poet who they were unfamiliar with.