俗语说:“字如其人,画如其性。”一个人的修身养性到何种程度看他画便知。画国画是这样,画陶瓷也是如此。如八大山人的作品,他取法自然,笔墨简练,大气磅礴,独具新意,从他的画中不难看出他一生所遭受的境遇,就是因为不屈权贵,受后人赞扬和崇拜。而佛学中“如此,则有既是空,空既是有,空有同时。”那可不可以这样认为,一味将传统的技法学以至精, As the saying goes: “as people, painting as sexual. ” To a person’s self-cultivation to see what he painted will know. This is the case of traditional Chinese painting, as is the painting of ceramics. Such as the works of Badashanren, he took the natural method, the pen and ink concise, magnificent, unique new ideas from his paintings is not difficult to see the situation suffered in his life, it is because of the powerless Qudu, descendants praise and worship. And Buddhism “So, then there is both empty, empty both, empty at the same time.” That can not think so, blindly to the traditional techniques and fine,