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南朝的雕刻匠人利用了弧线与S线的视觉心理特性,将具体的形体特征予以概括、夸张,并通过S线和弧线将其贯穿起来,强化了“动势”这一造型主旨,使石兽神秘灵异的气质在运动中得以升华,在整体上获得“气韵生动”的艺术效果。
Southern carving craftsmen use the visual and psychological characteristics of arcs and S lines to summarize and exaggerate specific physical features and pass them through S lines and arcs to reinforce the styling motif of “moving” The mysterious supernatural temperament of the beast can be sublimated in the movement, obtaining the artistic effect of “vivid and vivid” as a whole.