新世纪戏剧已经走过了十多个年头,然而,人们的视线依然集中在林兆华、孟京辉、张广天等这些早在20世纪八九十年代业已成名的戏剧家身上,对于新生戏剧力量,关注不多。文章对青年戏剧导演黄盈的戏剧作品作个案分析,关注“70后”青年戏剧家,力图总结其“成长在路上”的整体特征,并探究其成因。 However, the people’s attention is still concentrated on the dramatists such as Lin Zhaohua, Meng Jinghui and Zhang Guangtian, who have become famous in the 1980s and 1990s. They pay little attention to the freshman drama power. . The article makes a case study of Huang Ying, a dramatist of theatrical theater, focusing on the overall characteristics of the “70s” young dramatist and trying to sum up his “growth on the road ” and explores its causes.