本文重点简述了我国小提琴的发展史,分析了小提琴音乐民族化的必要性和必然性,并且在详细解读李自立教授作品的基础上,学习其作品中实现民族化审美形态的三种方法,同时从创作途径和创作技法两方面探索了小提琴音乐语言的民族化创作思维。 This article focuses on the history of the development of violin in our country, analyzes the necessity and necessity of nationalization of violin music, and on the basis of a detailed interpretation of the works of Professor Li Zili, we study three ways to realize national aesthetic form in his works. From the creative ways and creative techniques to explore violin music language nationalization thinking.