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与当代很多艺术家热衷于观念表达或文化批判不同,张杰的绘画体现出一种执着的绘画性与个人感悟。这一追求在1980年代学生时代的作品中就已经初露端倪。在其研究生阶段的毕业作品《遥远的星》中,他用干枯的画笔皴擦画面,用亮色与深底色相互对比,于夜色氛围中营造出一种星光熠熠的视觉效果。结合作品中的乡土情怀及苗族风情,作品又似乎烘托出一种原始主义般的神秘感;这既是一种深刻的个人体验,也是一种乌托邦式的心理寄托。一直到今天,他的作品仍然执着于这样的艺术初衷。从1980年代的乡土风格到今天的山水意象,他坚持着油画语言的探索,坚持让绘画作为自己心灵的寄托,不为那些喧嚣的艺术潮流所干扰。
Different from many contemporary artists keen on the concept of expression or cultural criticism, Zhang Jie’s paintings reflect a persistent painting and personal sentiment. This pursuit has already begun to appear in the works of the student age of the 1980s. In his graduate work, The Faraway Star, he wiped the picture with a dry brush, contrasting the light and dark colors to create a star-studded look in the darkness of the night. Combining the native feelings and the Miao customs in the works, the works seem to contrast with the original mystery. This is not only a profound personal experience, but also a utopian psychological sustenance. Until today, his work is still clinging to the original intention of art. From the native style of the 1980s to the landscape image of today, he persisted in exploring the language of oil painting, insisted that painting should be the sustenance of his own soul and not be disturbed by the noisy artistic trends.