学习书法,仅仅解决微观层面上的技法是远远不够的,还须从书法审美的构成要素上,加深对这门艺术的认识。对此,我概括为书法“三美”。其一,线条的力度美。一件好的书法作品,反映在纸上的线条一定是圆的,具有浮雕般的立体感。被誉为书坛“金陵四老”之一的胡小石先生,生前曾作过一个十分形象生动的比喻,说书法的线条要如闹钟里的发条,具有韧劲和弹性,而不是像汤锅里煮的面条,软塌塌的 To study calligraphy, it is far from enough to solve the techniques at the micro level, and we must deepen our understanding of this art from the aesthetic elements of calligraphy. In this regard, I summarize the calligraphy “three beauty ”. First, the intensity of lines is beautiful. A good calligraphy, the lines reflected in the paper must be round, with a relief-like three-dimensional. Mr. Hu Xiaoshi, known as one of the calligraphists and one of the “Four Kingdoms of Jinling,” made an vivid metaphor during his lifetime. He said that the lines of calligraphy should be like the clockwork in an alarm clock, with tenacity and flexibility, not like Cooked noodles soup pot, soft collapse