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随着我国文化与西方文化的交流与融合不断深入,愈来愈多的美术研究学家加强了对美术史的研究工作,促使当代美术史处于全新社会及文化语境的研究状态中,研究学家也加强了对前人所设置美术概念与价值取向的反思。随着经济全球化、政治全球化及贸易全球化的不断融合与发展,国际文化得到一定程度的双向互动与融合,思想性的超越方法成为了历史研究工作的主导。本文主要对经典论断——“水不容泛,人大于山”展开分析,对其被误用的主要表现进行介绍,以此来探讨古代美术史研究视角的重要程度及作用。
With the continuous exchange and integration of culture and western culture in our country, more and more art researchers have stepped up the research work on the history of fine arts and made the contemporary art history in the research state of new social and cultural contexts. The family also strengthened the reflection on the art concepts and values set by the predecessors. With the constant integration and development of economic globalization, political globalization and trade globalization, the international culture has been bilaterally intertwined and integrated to some extent. The ideological transcendence method has become the dominant historical research work. This paper mainly analyzes the classical theory - “water can not be broad, people are greater than mountains”, and introduces the main features they were misused in order to discuss the importance and function of the study of ancient art history.