本文从它们的起源比较入手,着重在造型、结构和造意三个方面对中国花鸟画与中国家具花鸟装饰进行比较分析,结合家具装饰设计的形态特征,指出创造既有时代感又富有民族性的花鸟纹是历史赋予我们的重任。 This article starts from their origins, focuses on the comparative analysis of Chinese bird and flower and bird and flower decoration in China from three aspects of shape, structure and meaning. Combining with the morphological characteristics of furniture decoration design, this paper points out that creating both contemporary and national character The flowers and birds are the history of the task entrusted to us.