看拉斯·冯·特里尔的电影总会让人有种窒息的感觉,总会在不自觉中就成为了他的道德观的拥护者,那些人性的黑暗面,那些我们不愿意去面对和承认的弱点,都在他的电影中不加粉饰的血淋淋地呈现在我们的面前,就是因为这样的特点,使他的电影具有了独特的魅力。在他众多的作品中,《黑暗中的舞者》独特的音乐剧的特点和新颖的镜头语言更加突出。本文将从主题,镜头语言,导演意图等几个方面来说明本片具有的双重性、相对性和对比性的特点。 The filming of Lars von Trier always gives people a feeling of suffocation, always unconsciously becoming a champion of his morality, those dark side of human nature, those who we do not want to face The weakness of recognition and recognition, all in his film without the whitewashing glittering presence before us, because of this feature, so that his film has a unique charm. Among his many works, the unique musical features of “The Dancer in the Dark” and the novel lens language are all the more outstanding. This article will illustrate the duality, relativity and contrast characteristics of the film from several aspects, such as theme, lens language and director’s intention.