顾恺之“传神写照”的绘画理念是中国传统形神绘画理论中的一朵奇葩。历代画论家往往从中引伸出独辟蹊经的绘画理念,反而增添了对此绘画理论理解诸多的歧义。基于此,本文以顾恺之的绘画技艺理论为支持,力图还原传神写照的本义,对正确理解形神绘画理论在魏晋时期如何崛起具有重要意义。 Gu Kaizhi “vivid portrayal ” painting concept is a wonderful work in the Chinese traditional god-shaped painting theory. The ancient painting theorists often derived from the original ideas of painting, but added a lot of ambiguity on the painting theory. Based on this, taking Gu Kaizhi’s painting skill theory as support, trying to restore the original meaning of expressive portrait is of great significance to correctly understand how the theory of pictograph of god-shape rises in the Wei and Jin dynasties.