中国书法艺术源远流长,具有鲜明的民族特色,是中国文化的精髓。一幅好的书法作品以古意最为可贵,但要处理好临帖和创作的关系却绝非易事,要借古开今,古今并重,创作更注重的是古意,而不是对古人作品的生搬硬套,重其形而轻其意。当今创作在推陈出新的同时应不失古意。 Chinese calligraphy has a long history with distinctive national features and is the quintessence of Chinese culture. A good calligraphy works are the most valuable ancient meaning, but to deal with the temporary post and the creative relationship is by no means easy to borrow the ancient open, both ancient and modern, the creation of more emphasis on the ancient, rather than the work of the ancients Born mechanically, weighing its shape and light intended. Today’s creation in the innovation at the same time should not lose the ancient meaning.