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是人类的文明将“性”这个生物的自然属性变得复杂而暧昧,成为最能体现社会权力关系的领域。但是现代社会把“性”作为知识进行理性探讨,使之走出单纯的道德伦理范围,当代社会进一步改变了对“性”的漠视和遮蔽,“性”似乎更加自由自主了,但商品经济社会又不可避免地更加导致了“性”的异化和权力化。“性”在中国的传统文化中是一个讳莫如深的领域,虽然在现实中并不是完全没有对它的表现,可是这种表现不是处于边缘位置,就是以某种遮蔽与暧昧的方式微妙的呈现着,只有深入细致的解读才能感受到其中的意味。当代对性的研究以及艺术上对它的表现已经逐渐合法化,但是这个转变过程充满了复杂微妙极有意思的戏剧性变化,本文通过若干作品的分析,探讨其中耐人寻味的关系及其意味。
It is a human civilization that complicates and obscures the natural nature of the “sex” creature and becomes the area that best embodies the social power relationship. However, in modern society, “sex” has been rationally explored as knowledge to make it go beyond pure morality and ethics. The contemporary society has further changed its indifference and obscureness toward “sex,” and “sex” seems to be more free and independent. However, Inevitably leads to the alienation and powerization of “sex”. “Sex” is a closely guarded field in Chinese traditional culture. Although it is not completely underestimated in reality, it is not marginalized or subtly presented in a somewhat obscure and ambiguous way Only in-depth and detailed interpretation can feel the meaning. Contemporary research on sex and its performance in the art has gradually legalized, but this process of transformation is full of complex and subtle and extremely dramatic changes. Through analysis of several works, this paper explores the intriguing relationship and its meanings.