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透过重叠交替的墨触,尤其通过虚实对比所营造的厚重、阴郁、雄迈、叹息,释放出一个终日沉湎于追求理想的浪漫情怀。山水情怀香港心上海美术馆的方增先馆长在一篇序义中如是说:“冯永基的山水画承继五代北宋董源、巨然诸家,近学张大千、李可染为师,其大幅水墨或色块组成的层次,展现气韵,大气磅礴,浑厚沉郁而不失苍秀润泽,使得他的山水作品不仅有着浓郁的中国传统特色和情调,且带有较强的现代感,体现了传统和现代的共融。”
Through the overlap and alternation of the ink touch, especially through the comparison of the actual situation, the thick, gloomy, magnificent, sigh, released a romance all the time indulging in the pursuit of the ideal. Landscape feelings Hong Kong Museum of Art, Shanghai Art Center Fangzeng first curator said in a preface: “Feng Yongji’s landscape painting inherits the Five Dynasties Dongyuan, Juran, near school Zhang Daqian, Li Keran as a teacher, its drastic ink or color composition Level, showing the rhythm, magnificent, deep and mellow rich yet moist, making his landscape works not only has a rich traditional Chinese characteristics and mood, and with a strong sense of modernity, reflects the integration of tradition and modernity. ”