“豫剧皇后”是当年河南豫剧观众对著名豫剧表演艺术家陈素真的誉称。她的名望还蜚声陕西、甘肃、湖北、河北。天津、北京的文艺界还称赞她为“豫剧梅兰芳”。陈素真在戏曲艺术上的造诣是很深的。可以说在豫剧的发展史上,她是一个承前启后的佼佼者。三十年代后期以前,她致力于豫剧祥符(开封)调声腔艺术的改革和创造,把豫剧祥符调女声唱腔艺术提高到一个崭新的水平。由此,她被公认为祥符调流派的代表。她的唱腔被推为“祥符调正统”。 “Empress of Henan Opera” was the reputation of Henan opera dramatist Chen Suzhen that year. Her fame is also renowned Shaanxi, Gansu, Hubei, Hebei. Tianjin, Beijing literary and art circles also praised her as “Opera Mei Lanfang.” Chen Su-true in the opera art attainments is very deep. It can be said that in the history of the development of Henan Opera, she is an outstanding leader. Before the late 1930s, she devoted himself to the reform and creation of the Xiangzhou Opera of Xiangfu Opera (Kaifeng), raising the level of the art of singing and singing of the opera Xiangfu Fu into a vocal. As a result, she is recognized as the representative of the auspicious Fu school. Her singing was pushed as “Xiangfu tone orthodoxy.”