论文部分内容阅读
郭沫若一生笔耕不辍,著作颇丰。尤其是其诗集《女神》,是我国文学史上独具特色的新诗集。该诗集以别开生面的表达形式和深刻的内涵,伫立在时代精神的高度上,发人深省。但是,长期以来,大家在对《女神》进行研究的时候,大多是从西方文化影响的角度来进行分析的。众所周知,郭沫若早年曾经留学日本。而留学的经历也使得他的文学创作和日本近代思想文化之间存在十分密切的联系,日本近代思想文化对郭沫若《女神》的创作产生了极大的影响。该文拟对日本近代思想文化对《女神》创作的影响进行简要的分析。
Guo Moruo pen life stop writing, quite good. In particular, the poem “Goddess” is a unique collection of new poems in the history of Chinese literature. The poetry collection with a vivid expression and profound connotation, standing in the spirit of the times, thought-provoking. However, for a long time, when studying the “goddess”, most of them analyzed from the perspective of Western culture. As we all know, Guo Morrow studied in Japan in his early years. The experience of studying abroad also makes his literary creation and Japan's modern ideology and culture are closely linked. The modern Japanese ideology and culture have a tremendous impact on Guo Moruo's creation of the goddess. The article tries to make a brief analysis of the impact of modern Japanese ideology and culture on the creation of the goddess.