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电影以视觉、听觉传达为感知途径,影像和声音的结合方式成为这一艺术得以确立的最重要部分,而扩展两者之间的关系为保持电影表现力的重要创作方法。在电影声音彼此以及声音与影像关系中,从其最为灵活与生动的生成方式声音修辞方面入手,探讨声音如何在保持自身信息传达的基础上与视觉信息产生更为富裕的感知效果和附加意义。以及对在建构声音时其与视觉关系可否对象化的讨论,从而进一步阐述电影视听创作与理论中这一关键性问题。
The film is perceived through visual and auditory means. The combination of image and sound becomes the most important part of the establishment of this art, and expanding the relationship between the two is an important creative method to maintain the expressiveness of the film. In the relationship between movie sound and sound and image, this paper explores how the sound generates more affluence and additional meaning with visual information on the basis of its most flexible and vivid sound rhetoric. As well as the discussion of whether visual relationship can be objectified during the construction of sound to further elaborate the key issue in the creation and theory of movies and audiovisuals.