一个画家的成长和艺术择位,是随着时空诸因素自然天成的。记得1987年酷暑,福建省美协、《福建日报》、福建省电视台联合举办了一次26人参加的闽江航行写生活动,从源头到入海口,历时40天。白天上岸写生,夜间露宿在船,间息或歌或舞,十分艰苦,十分团结,十分活跃。大伙把自己溶汇在美丽、雄浑、辽阔、悠长的闽山闽水间,浪迹江湖,那是一次终身难忘的艺术修炼。玉峰是团长,在活动中展示了他很强的组织能力。之后,虽各自一方,见面时就像兄弟般的亲热。继后,竟有几位油画家和人物画家一跃而成为山水画家了。经历了一次大自然的洗礼,“天人合一”的传统精神,使大伙顿悟进入了大乘。难怪,在中国画史中,山水画是其主流。 A painter’s growth and artistic choice, with the natural elements of space and time. I remember the 1987 summer heat, the Fujian Provincial Association of the United States, “Fujian Daily”, Fujian Provincial TV station jointly organized a 26 people participate in the Minjiang sailing sketch activities, from the source to the mouth, which lasted 40 days. Daytime ashore sketching, night sleep in the boat, interest or song or dance, very hard, very united, very active. Everyone dissolve their own in the beautiful, powerful, vast, long Fujian Min water, waves rivers and lakes, it is a lifetime of unforgettable artistic practice. Yufeng is head of the group, showing his strong organizational skills during the event. After that, although each side, when meeting, is like brotherly affection. After that, as many oil painters and figure painters jumped into the landscape painter. Experienced a baptism of nature, “harmony between man and nature” of the traditional spirit, so that everyone insight into Mahayana. No wonder, in the history of Chinese painting, landscape painting is the mainstream.