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本文以美国作曲家乔治·罗奇伯格的六音列镜像倒影技术为研究对象,并结合罗奇伯格《第二弦乐四重奏》、《第二交响曲》为例,说明该技法的使用特点。同时,指出罗奇伯格在获得具有镜像倒影特性六音列计算过程中所存在的缺陷,并将获得配套特性(含镜像倒影特性)六音列而采用的求和正方形和罗奇伯格所提出的计算方法进行了对比。
This article takes the American composer George Rochberg’s six-tone mirror reflection technology as the research object, and combines the use of Roach Berg’s “Second String Quartet” and “Second Symphony” as an example to illustrate the use of this technique Features. At the same time, it is pointed out that Rochberg’s shortcomings in the process of obtaining the six-tone sequence with specular reflection characteristic and the square of summation and the Rochberg space used by obtaining the six-tone series of matching characteristics (including specular reflection characteristics) The proposed calculation method is compared.