对革命、政治与艺术及其主体的叙事,成为了一个世纪以来中国文学的一种倾向性的书写,这一方面固然出于文学与艺术自身感时忧国的传统,另一方面则是政治的需要。然而,如是这般的叙事,在述及那些以政治、革命与战争为主题或背景时,也往往会暴露其在意识形态的侵扰下所采取的主题先行的创作理念,从而损伤了自身的独立性、艺术性和纯粹性。 The narration of revolution, politics, art and its subject has become a tendentious writing of Chinese literature in the past century. On the one hand it stems from the tradition of worrying about the country in the sense of literature and art, on the other hand, politics Need. However, narratives like this often expose the themes of their creative ideology under the influence of ideology and thus undermine their independence when it comes to the themes or backgrounds of politics, revolution and war Sexual, artistic and pure.