卡夫卡的小说艺术有一个奇妙的特征，那就是小说叙事形式逻辑与历史意蕴逻辑的对立统一。它包括三个方面的内涵：首先是小说人物行为、情节发展的破碎、零乱、古怪、荒涎、奇异所揭示出的多层次的文化心理原因恰好是符合历史意蕴逻辑的本然真实。其次是小说人物遭遇、故事发生的突兀离奇、模糊不清、怪异无比所揭示出的多层次文化心理原因恰好是符合历史意蕴逻辑的卓越阐释。其三是小说人物选择、故事结局的荒谬悖理所揭示出的，以“原罪”问题为其标志的文化心理原因恰好是符合历史意蕴逻辑的深刻说明 There is a wonderful feature of Kafka’s art of novels, that is, the opposition and unity of the logic of the narrative form and the logic of historical meaning. It includes three aspects of connotation: First, the multi-level cultural and psychological reasons revealed by the novel’s character behavior, plot development, fragmentation, oddness, eccentricity, and strangeness coincide with the true truth in conformity with the historical implication of logic. Secondly, the multi-layered cultural psychological reason revealed by the fictional characters encountered in the story, the unexpectedly bizarre, ambiguous and weird incompatibilities happened is just an excellent explanation consistent with the logic of historical implication. The third is the absurd paradox of character selection and story ending revealed by the novel. The cultural psychological reason which takes the issue of “original sin” as an example is precisely the profound explanation that conforms to the logic of historical meaning