前些日子,《羊城晚报》等媒体报道,广州市的郝久新是位奇女子。简要情况是这样的:她在1998年无意中写了一些很上口的小诗,当她突然意识到自己写的就是歌词时,便一发不可收拾。一年多时间内,郝久新就写了五六百首歌词。手里捧着一大叠歌词,该怎么办呢?虽然她不认识任何歌词名家,也没接触过任何专业团体,但她有一股“闯劲”。她想出了一个“笨”办法.就是给全国的音乐学院、歌舞团都寄了一封信,信里有自我介绍,还有作品精选。可以想象,回音微乎其微,但还是有的。就是这几个回音,足以让她兴奋不已。《在那桃花盛开的地方》的词作者邬大为,为她修改了作品,还仔细地列出了各个歌词专业杂志的联系办法;《十五的月亮》的词作者石祥为她写了推荐信,把她的作品推荐到专业杂志。终于,《天津词刊》用了一个版面发表了她的诗作。郝久新终于摸到了门道,此后一连出版了《一朵爱情花》、《绝招》等歌词集和一部涛剧《海上新娘》。 A few days ago, “Yangcheng Evening News” and other media reports, Guangzhou Hao Jiuxin is a singular woman. The brief case is this: she inadvertently wrote some very catchy poem in 1998, when she suddenly realized that what she wrote is the lyrics, then out of control. More than a year, Hao Jiuxin wrote five or six hundred lyrics. What do I do when I hold a lot of lyrics in my hand? Although she does not know any famous lyrics or contacts with any professional group, she has an “aggressive” background. She came up with a “stupid ” approach is to the country’s music school, song and dance groups have sent a letter, the letter has introduced himself, as well as the selection of works. As you can imagine, the echo is minimal, but still there. Is these few echoes, enough to make her excited. Wu Dawei, the author of “Where the Peach Blossoms,” edited her works, and also carefully listed the contact methods of the various magazine magazines; Shi Xiang, the author of “Fifteen Moon”, wrote for her Testimonials, recommend her work to a professional magazine. Finally, “Tianjin lexicon” published a page of her poetry. Hao Jiu-Xin finally touched the doorway, then published a series of “love flower”, “trick” and other lyrics and a Taoist drama “sea bride.”